EVENTS AND PRESENTATIONS
‘Farms and Farming on Screens’, presentation for Bridging Fields Study Day, 18 June 2026, Roehampton University, in the context of the Bridging Fields Research Programme.
‘Working with Nature: A Tale of Two visits’, presentation for the BAFTSS Annual Conference, Bournemouth, 15-17 April 2026.
Jacques Perconte: Digital Landscapes: 10/11 June 2022
This two-day programme presents the work of Jacques Perconte, a visual artist and a major figure in the French digital art and avant-garde-scene.
Experimental Self-Portraits in the LUX collection: 28 January 2017, Birkbeck University, London.
Presentation of a selection of experimental self-portrait films drawn from the LUX collection. After the screening, Muriel Tinel-Temple was in conversation with LUX deputy director Maria Palacios Cruz.
Filmmaker at Work: Self-Portraits: SCRATCH PROJECTION 12 April 2016, Studio des Ursulines, Paris.
To coincide with the publication of her book FILMMAKER AT WORK: SELF-PORTRAITS (Hermann publisher), the author will present a selection of films that explore the different facets of the self-portrait.
Magic Mirror: restaging the Self-Portrait’: 16 October 2015, Birkbeck University, London.
Sarah Pucill and Laura Mulvey in conversation on:
Magic Mirror, Sarah Pucill, UK, 2013, 75 min. and Cindy the Doll Is Mine, Bertrand Bonello, France, 2005, 15 min.
The Self-Representation in Visual Culture research group presents a double-bill of films that experiment with the re-staging of self-portraits as a form of mise en abyme.
‘The Notebook films’ screening and presentation: 16 January 2015, Birkbeck University, London.
In preparation for the inaugural Essay Film Festival 2015 (BIMI, Birkbeck College London), this was a session that featured several examples of “notebook” films:
The Self-Portrait in the Moving Image’: two-day conference 28/02-1/03 2014, Birkbeck University, London.
This conference proposed to reassess the practice of self-portraiture in the moving image by showcasing and discussing a broad variety of films. It was an opportunity to discover some rarely screened experimental films from the Lightcone collection (Paris), which were projected in 16mm and Super 8.
